Art and Queer Culture, Phaidon Press
Global New Art, Taguchi Art Collection
A Decade of Negative Thinking, Mira Schor, Duke University Press
Words Without Pictures, Los Angeles County Museum of Art, Los Angeles, p. 243
The Sundown Salon Unfolding Archive, a project by Fritz Haeg, Evil Twin Publications
Superficiality and Superexcrescence, Ben Maltz Gallery at Otis College of Art and Design, Los Angeles, pp. 46-49
Wall Rockets, The Flag Art Foundation, p.117
Appropriation- Ann Lee, Oxford University Press, p.92
„Multiple Vantage Points: Southern Californian Women Artists, 1980–2006“, L.A. Municipal Art Gallery, Barnsdall Park, p. 14, 15
Artworks, The Progressive Collection, Distributed Art Publishers, Inc, p. 170
Zuckerman Jacobsen, Heidi. "The Rainbow Hour," Aspen Art Museum, Aspen Colorado
Root House Records, "Amy Cook: The Sky Observer's Guide", Aspen Art Museum, Aspen Colorado
Francesca Richer and Mathew Rosenzweig, "No. 1 First Works by 362 Artists", Distributed Art Publishers
Rabinowitz, Sophie Cay. Amy Adler Young Photographer. Twin Palms Publishers.
Duncan, Michael. High Drama: Eugene Berman and the Legacy of the Melancholic Sublime. Georgia Museum of Art, Athens, GA.
Warner Marien, Mary: Photography: a cultural history, London, p. 72
Kraus, Chris, et al. LA Artland, Black Dog Publishing, London, England, p. 114–115.
Burton, Jahanna. “Subject to Revision,” Artforum. Oct, p.261.
High drama: Eugene Berman and the legacy of the melancholic sublime (ed. by Michael Duncan, Jody Blake, Eugène Berman), The McNay Art Museum, Manchester/USA
Fogle, Douglas, ed. The Last Picture Show: Artists Using Photography, 1960–1982,” Walker Art Center, Minneapolis, MN.
Gnemmi, Edoardo. Something More Than Five Revolutionary Seconds, Fodazione Davide Halevim, Milan, Italy.
Murphy, Diana, ed. Imperfect Innocence, Contemporary Museum, Baltimore, MD and the Palm Beach Institute of Contemporary Art, Lake Worth, FL.
The Image Regained: Painting and Photography in the Eighties and Nineties, Museo Cantonale d'Arte, Hatje Cantz
Publishers, Lugano, Switzerland.
Amy Adler: different girls, Taka Ishii Gallery, Tokyo, Japan.
Adler, Amy. "Centerfold," Artforum: Contributor, January, p112–113.
Morsiani, Paola. Relative Positions: Amy Adler, Liza May Post, Francesca Woodman, Contemporary Arts Museum,
The Americans. New Art, Booth-Clibborn Editions/Barbican Art, London, England.
Form Follows Fiction, Charta, Milan/Castello di Rivoli, Turin, Italy.
I Am A Camera, The Saatchi Gallery, London, England, p 83–88.
Butler, Connie. Amy Adler, Museum of Contemporary Art, Los Angeles, CA.
Brown, Elizabeth A. Stream of Consciousness – 8 Los Angeles Artists, University Art Museum, University of California, Santa Barbara, CA.
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