Gerhardsen Gerner

Amy Adler Bibliography

Amy Adler

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Bibliography: Publications

Art and Queer Culture, Phaidon Press

Global New Art, Taguchi Art Collection
A Decade of Negative Thinking, Mira Schor, Duke University Press

Words Without Pictures, Los Angeles County Museum of Art, Los Angeles, p. 243
The Sundown Salon Unfolding Archive, a project by Fritz Haeg, Evil Twin Publications
Superficiality and Superexcrescence, Ben Maltz Gallery at Otis College of Art and Design, Los Angeles, pp. 46-49

Wall Rockets, The Flag Art Foundation, p.117
Appropriation- Ann Lee, Oxford University Press, p.92

„Multiple Vantage Points: Southern Californian Women Artists, 1980–2006“, L.A. Municipal Art Gallery, Barnsdall Park, p. 14, 15
Artworks, The Progressive Collection, Distributed Art Publishers, Inc, p. 170

Zuckerman Jacobsen, Heidi. "The Rainbow Hour," Aspen Art Museum, Aspen Colorado
Root House Records, "Amy Cook: The Sky Observer's Guide", Aspen Art Museum, Aspen Colorado
Francesca Richer and Mathew Rosenzweig, "No. 1 First Works by 362 Artists", Distributed Art Publishers
Rabinowitz, Sophie Cay. Amy Adler Young Photographer. Twin Palms Publishers.
Duncan, Michael. High Drama: Eugene Berman and the Legacy of the Melancholic Sublime. Georgia Museum of Art, Athens, GA.
Warner Marien, Mary: Photography: a cultural history, London, p. 72

Kraus, Chris, et al. LA Artland, Black Dog Publishing, London, England, p. 114–115.

Burton, Jahanna. “Subject to Revision,” Artforum. Oct, p.261.
High drama: Eugene Berman and the legacy of the melancholic sublime (ed. by Michael Duncan, Jody Blake, Eugène Berman), The McNay Art Museum, Manchester/USA

Fogle, Douglas, ed. The Last Picture Show: Artists Using Photography, 1960–1982,” Walker Art Center, Minneapolis, MN.
Gnemmi, Edoardo. Something More Than Five Revolutionary Seconds, Fodazione Davide Halevim, Milan, Italy.
Murphy, Diana, ed. Imperfect Innocence, Contemporary Museum, Baltimore, MD and the Palm Beach Institute of Contemporary Art, Lake Worth, FL.

The Image Regained: Painting and Photography in the Eighties and Nineties, Museo Cantonale d'Arte, Hatje Cantz
Publishers, Lugano, Switzerland.
Amy Adler: different girls, Taka Ishii Gallery, Tokyo, Japan.
Adler, Amy. "Centerfold," Artforum: Contributor, January, p112–113.

Morsiani, Paola. Relative Positions: Amy Adler, Liza May Post, Francesca Woodman, Contemporary Arts Museum,
The Americans. New Art, Booth-Clibborn Editions/Barbican Art, London, England.
Form Follows Fiction, Charta, Milan/Castello di Rivoli, Turin, Italy.
I Am A Camera, The Saatchi Gallery, London, England, p 83–88.

Butler, Connie. Amy Adler, Museum of Contemporary Art, Los Angeles, CA.

Brown, Elizabeth A. Stream of Consciousness – 8 Los Angeles Artists, University Art Museum, University of California, Santa Barbara, CA.

Bibliography: selected press

Duncan, Michael: „Amy Adler: at ACME“, Art in America, March
Reber, Simone: „Gefrostetes“, Der Tagesspiegel, February 2, 2008, p. 24
N.N.: „Where to watch movies by moonlight“, Daily News (Los Angeles), June 26
N.N.: „The New Children´s Museum opens in San Diego“, Business Wire, May 5

Cash, Stephanie: „The hills are alive“, Art in America, February 1.
Russell, Christopher.: “Don’t Look Back,” Artillery, May, p. 20.
Myers, Holly: “Dynamically capturing the feminist spirit,” Los Angeles Times, March 13, p. E6.
Zuckerman Jacobson, Heidi: “Amy Adler: Make Believe” and “Artist Conversation,” Aspen Art Museum Members’ Magazine, pp. 6–7, Winter/Spring
N.N.: „ETC“, Artforum International, August 1

Finkel, Jori: “Shopping Smart for Art,” Town and Country, February, p. 77–78.
Muchnic, Suzanne.: “A Peek at Eli Broad’s L.A. Cache,” Los Angeles Times, December 3, pp. F1, F8–F9.

Junker, Howard: “Amy Adler,” Zyzzyva, Vol. XXI, No. 1, Spring, p. 112.
Myers, Terry: “Amy Adler: The Rainbow Hour,” Modern Painters, December/January, p. 1, 2, 4, illus.
Pagel, David: “Adults intrude into make-believe,” Los Angeles Times, September 23, p. E22–E23.

Burton, Johanna: „Subject to revision,“ Artforum International, October 1
Cohen, Edie: „Dealers´ choice“, Interior Design, August 1
Yablonsky, Linda: „How far can you go?,“ ARTnews, January 1

Chamber, Christopher: “Amy Adler,” Flash Art, January/February, Vol. XXXVI, No. 228.
Harvey, Doug: “Scribbles, scriptures and the Mid-Wilshire explosion,” LA Weekly, March 14–20.
Lord, M.G.: “A City where Locals Are Welcome,” Museums, New York Times, April 23, p. G1–12.
Robecchi, Michele: “Fondazione Davide Halevim,” Flash Art, Vol. XXXV1, No. 233, November–December, p. 45.
Sennet, Kate: “Amy Adler,” Tokion, May/June, No. 35, p.34–6.
Yablonsky, Linda: “To Thine Own Selves Be True,” Artnews, November, p. 138–143.

Bhatnagar, Priya: “Focus Painting Part II,” Flash Art, November / December, p. 80.
Conti, Tiziana: “Form Follows Fiction," Tema Celeste, January, p.95.
Craven, Jo: “Celebrity Art,” Vogue Celebrity Style, p.46.
Curtis, Lynnette: “Half-dressed for success," Mercury, May 30–June 5, p.58.
Gaines, Malik: “Amy Adler," Tema Celeste, Milan, No. 91, p. 96.
Gellatly, Andrew: “The Americans. New Art," Frieze, London, p. 99.
Grant, Catherine: “Amy Adler," Make, Special Edition 92, p.69–71.
Hackett, Regina: „Self-Seeking artists play with images to close the gap between life and art,“ Seattle Post Intelligencer, July 4
Johnson, Ken: “Amy Adler,” Art Guide, The New York Times, November 15, p.E38.
Kawai, Sumie: “Berlin," BT – Bijutsu Techno, Tokyo, vol. 54, No. 824, p.184–5.
Kennicott, Philip: „Art City: A compelling collection of film portraits,“ The Washington Post, February 3
Knight, Christopher: “Photos of Drawings of Photos: DiCaprio Twice Removed," Los Angeles Times, Art
Reviews, February 22.
Ollman, Leah: „About face“, Art in America, November
Paumgarten, Nick: “Amy Adler,” Goings on About Town, The New Yorker, November 11, p. 39
Sorge, Helmut: „Mit Kunst gegen den Kommerz“, Spiegel Online, March 12
Wendland, Johannes: "Keine Wahreit, nirgends, Frankfurter Allgemeine Zeitung," Berliner Seiten, June 20, p. 4.

Bush, Kate: “Amy Adler Photographs Leonardo DiCaprio," The Photographers Gallery Magazine, April/May.
Chapman, Peter: “The americans: new art," Independent: Going Out, London, October 20, p. 12.
Corrigan, Susan: i-D Magazine, Oct, p. 184–190.
Deitch, Jeffrey: “Form Follows Fiction," Italian Flash Art, December, p 64–70.
Falconer, Morgan: “Gary Lee Boas, Amy Adler", Untitled, Summer.
Grant, Catherine: Art Papers Magazine, International Reviews, London, September–October, p.56.
Güner, Fisun: “The Americans-New Art," What’s On, London, November 7, p.38.
Herzog, Samuel: “Les artistes des Statements dévoilent leur savoir-faire," Le Journal Des Arts, June.
Katz, Vincent: “The Americans: New Art," World of Interiors, London, November, p.154.
Leitch, Luke: Evening Standard, London, Tuesday, October 23, p.21.
O’Connell, Alex: “All the young dudes," The Times, London, October 24, p.15.
Sheehan, Daemienne: "My Dream Friend: Picturing the stars," Time Out, April 11–18, p. 36.
Sheehan, Daemienne: "Star Gazer," What's On, April 18,, p.23.
Sladen, Mark.: “Young Americans," Blue Print, London, November, p. 50.
Spada, Sabina: “Amy Adler: Artista on the Road," Arte, Italy, November, cover, p.140–145.
Stringer, Robin: “The woman who spent two hours alone with Leonardo and all she did was take his
picture," The Evening Standard London, Wednesday, April 11.
Summers, Francis: “I Shot Leonardo", Sleazenation May, p.94–96.
Ratnam, Niru: “Oops I Drew It Again," The Face, May, p. 29.
Rump, Gerhard Charles: "Moderne Klassiker begeistern die Sammler,” Kunstmarkt, June.
Thorburn, Hedvig.: “ Födda: konstnärer fran USA," Götebogs-Posten, Sweden, November 15.
N.N.: "Art 32 Basel," Crosstalk, June.

Gains, Malik: “Amy Adler curates Joni Mitchell,” Art & Text, No 69, July.
Gingeras, Alison: “conjectures on conceptual uses of figurative realism," Artpress, December.
Lebovici, Elizabeth: “Alter Ego, John Currin, Karen Klimnick, Amy Adler," Supplément Libération, Spring.
Pagel, David: “Realism and Image co-exist,” LA Times, August 25.

Peres, Daniel: “Six artists for the century," W, February.
Peres, Daniel: „Amy Adler“, W, February 1.
Smith, Roberta: “Art in Review: Amy Adler," The New York Times, May 12.
Weissman, Benjamin: "Amy Adler curates Joni Mitchell," Frieze, issue 51, March/April.
"Amy Adler," Self-service, Spring/Summer.

Carotenuto, Gianna: "Amy Adler," Art Issues, Summer.
Clearwater Bonnie: “Slight of Hand, Photography in the 1990’s," Art Papers, September / October.
Decker, Andrew: “Art's Next Wave," Cigar Aficionado, April.
Ducan Michael: “L.A. Portraiture:Post-Cool,” Art in America, October.
Lord, M.G.: “A Thousand Words: Amy Adler," Artforum, April.
Matsui, Midori: “Amy Adler – Reproducing Myself," Composite, December.
Pagel, David: “Art Reviews: Amy Adler," The Los Angeles Times, February 26.
Plagens, Peter: “In L.A. a Feeding Frenzy Among Collectors," Newsweek, December 6.
Rutledge, Virginia: “Amy Adler," Art in America, June.

Campbell-Johnston, Rachel: "Around London Galleries: Amy Adler," The London Times, March10.
Edelman, Shonagh: “Amy Adler," frieze, March/April.
Guha, Tania: “Amy Adler," Time Out, London, April 1.
Hayt, Elizabeth: “Evoking the Fitful Passage to Womanhood," The New York Times, May 10.
Judd, Ben: “Reviews: Amy Adler," Flash Art, October.
Knight, Christopher: “Reflecting on Life's Darker Side: Amy Adler," The Los Angeles Times, December 12, p. F1.
Kotz, Liz: "Amy Adler: Surrogates," art/text, May–July.
Lebow, Edward: “Art in the Proper Setting," New Times, September 3–9.
Yablonsky, Linda: “Amy Adler," Bomb, Summer.

Cotter, Holand: “Art in Review: Amy Adler," The New York Times, September 19.
Frankel, David: “Focus: The Name of the Place," Artforum, May.
Goff, Robert: “Culture Comes to Hollywood," Forbes, December.
Humphrey, David: “New York Fax," Art issues, November/December.
Miles, Christopher: “What Ever Happened to Amy Adler," Soma, May/June.
Newhall, Edith: “Talent: Amy Adler," New York, September 22.
Yablonsky, Linda: “Amy Adler," Time Out, September 25.

Bloom, Amy: “A Face in the Crowd," Vogue, December.
Crowder, Joan: “Consciousness Rising," Santa Barbara News, October 11.
Farr, Shelia: “Gender Discomforts," Seattle Weekly, July 31.
Hovanec, Todd: “Eight is (Sometimes) Great," Daily Nexus, October 31.
Knight, Christopher: “Riding Tradition's Currents to a Higher Consciousness," The Los Angeles Times,
October 10.
Myles, Chris: “City of Now," Lingo, April.
Schaffner, Ingrid: “Amy Adler," Artforum, November.
Smith, Roberta: “Enter Youth, With Subtlety," The New York Times, May 17.

Atkins, Robert: “Very Queer Indeed," Village Voice, January 31.
Cohen, Michael: “LA Confidential," Flash Art, June.
Dogherty, Cecilia: “Identity Crisis," New Art Examiner, September.
Duncan, Michael: “Queering the Discourse," Art in America, July.
Kandel, Susan: “Theory in Art of the 90's," Frieze, May.
Klabin, Karen: “Distant Mirror," Detour, May.
Pagel, David: “Art and Youth," The Los Angeles Times, August 24.
Solnit, Rebecca: “Berkeley Fax: In a Different Light," Art Issues, March/April.
Smith, Roberta: “Void, Self, Drag, Utopia (and 5 other Gay Themes)," The New York Times, Sunday, March 26.
Zellen, Jody: “Automne a Los Angeles," Artpress, January.
N.N.: "P.S. I Love You," Bop Magazine, March.

Greene, David: Los Angeles Reader, August 19.
Kandel, Susan: “Team Players," The Los Angeles Times, September 14.
Kotz, Liz: "The Erotics of the Image," Artpapers, November.
Myers, Terry: “Spotlight: L.A.," New Art Examiner, November.
Tumlir, Jan: “At Far Remove: Amy Adler at TRI," Artweek, October 20.