GERHARDSEN GERNER

Berlin Oslo Artists Artfairs


MATTHEW RITCHIE

Previous Shows


Bibliography: Selected Reviews


2013
Edgers, Geoff: In the Eye of the Beholder, The Boston Globe, August 3
N.N.: „The Morning Line“ von Matthew Ritchie und Aranda/Lash kommt ans ZKM Karlsruhe, BlouinArtInfo artinfo.com, January 24
N.N.: Museum stellt Musikskulptur auf, Stuttgarter Zeitung, September 12
N.N.: Karlsruhe hört auf die Gegenwartskunst, Stuttgarter Nachrichten, September 12

2012
Bäumer, Angelica: Künstler in der Stadt, artmagazine.cc, January 2
Jensen, Lars: Gutes Essen hilft beim Kunstkauf, FAZ, May 5
Karcher, Eva: Rebellion, Süddeutsche Zeitung, July 28
Komarek, Eva: Frieze Art Fair New York City: Europäer zeigen Amis wie es geht, Wirtschaftsblatt, May 11
N.N.: Akustisches wie optisches Erlebnis: "Morning Line Festival" in Wien, APA, September 4
N.N.: Vom Ambrosi-Museum zur TBA21, Falter, July 18

2011
Borchhardt-Birbaumer, Brigitte: Klang in der Schneeflocke, WienerZeitung.at, June 6
Dabrowski, Colin: Wow factor at the Albright-Knox, Buffalo News, April 1
Dabrowski, Colin: 'Surveyor' a fusion exhibit at Albright-Knox, Buffalo News, February 18
Goodeve Nichols, Thyrza: Reflections On An Omnivorous Visualization System: An Interview With Matthew Ritchie, SpikeMagazine.com, May 3
GS: Aluminium-Ungetüm macht Musik, Wienweb.at, May 11
Ho, Kyung-yun: Matthew Ritchie, Asiana, April
Leyrer, Georg: Klangarsenal am Schwarzenbergplatz, Kurier.at, June 7
Rugo, Jacqueline: Vom leisen Geflüster bis zu Großen Geistern, Kunstmarkt.com, September 9
Schachinger, Christian: Mit dem Schlauch drübergehen, DerStandard.at, June 7
Schaur-Wünsch, Teresa: Habsburg und die Unendlichkeit, DiePresse.com, June 10
Weiser, Ulrike: Wiens Geister und Affen, DiePresse.com, May 21
Windhager, Laura: Auf dass einem Hören und Sehen vergeht…, Stadtbekannt.at, June
N.N.: The Morning Line, Kultur-online.net, June 7 (press release?)
N.N.: Experimentelles Musikfestival in Wien, Oe24.at, May
N.N.: Thyssens Pavillion singt nun in Wien, Die Presse.com, June 7
N.N.: Klangkünste am Wiener Schwarzenbergplatz, Salzburg.com, June 7; KleineZeitung.at, June 7
N.N.: Das größte Geschenk für Francesca, Heute.at, June 9
N.N.: Francesca von Habsburg eröffnet Kunstprojekt, Oe24.at, June 8
N.N.: Design und Klang auf dem Schwarzenbergplatz, ORF.at, June 7

2010
Fuchs, Jörn Florian: (Klang-)Brücken aus Wien, Wiener Zeitung.at, May 27
Jung Il-joo, Crazy Matrix - Combining all Sciences and Philosophies, PUBLIC ART, Vol 042, March 2010
Palmieri, Nancy: Matthew Ritchie, The Huffington Post, March 9
Schöny, Roland: Klingendes Fraktal, ArtMagazine.cc, June 13
Sullivan, Chris: The Morning Line sonic temple, Istanbul, Wallpaper, July 30
N.N.: Ritchie’s intricate work adorns İstanbul’s Eminönü Square, Today`s Zaman, May 24
N.N.: The Morning Line, BuildMagazin.de, December 12

2009
Anderman, Joan: Musical renaissance man, The Boston Globe, January 27
Cline, Elizabeth: A new breed of architectural objects, SEED, July 9
Cline, Elizabeth: In Hypermusic prologue, physicist Lisa Randell re-images her extra-dimensional theories of the universe as opera, SEED, August 10
Cofield, Calla: hypermusic prologue, symmetry, December
Emsländer, Fritz: Raumzeichnungen, Kunstforum, No. 196, pp. 124
Gosch, Andreas: Mit dem Fahrrad zur Milchstraße – Zeitgenössische Kunst aus der Sammlung Hoffmann“ – Ein Einblick, Kunstgeschichten Dresden Blog Blog.k-dd.de, July 25
Karscher, Eva: Der Weg nach Ökopolis, Süddeutsche Zeitung, May 30
Kletke, Daniel: Matthew Ritchie, Artnet.com, May 1
MacDonald, John S.W.: The National and Breeders Perform Together, SPIN, October 29
Reindl, Uta: YOUniverse, Kunstforum, No. 195, pp. 286
Sherwin, Skye: Gallery Weekend Berlin, Art:Review, May, p. 27
Smee, Sebastian: More than numbers, The Boston Globe, September 4
Smith, Orianne; and others: XII • Literature 1780–1830: The Romantic Period, Years Work Eng Studies, 2009; pp. 672–769
Smith, Roberta: Matthew Ritchie: Line Shot, The New York Times, November 13, 2009
Vogel, Carol: Art Makes a Play Off the Gridiron, The New York Times, August 6
Weiner, Emily: Matthew Ritchie, Artforum, October–December
N.N.: Güldenes zum ersten Mai, Goldstück.biz, April 30
N.N.: Morning Darkness, The Boston Globe, January 28N.N.: Matthew Ritchie, Berlin.unlike.com, May 1
N.N.: Gallerypark.de, May 8, 2009
N.N.: Welterklärungsformel als Liebesgeschichte, Süddeutsche Zeitung, June 13
N.N.: Die Rückkehr einer Verlorenen, Frankfurter Allgemeine Zeitung, July 31
N.N.: Eine Ausstellung mit Werken aus der Sammlung Hoffmann, Leipziger Volkszeitung, June 18

2008
Adam, Hubertus: Experimente im Garten der Baukunst, NZZ, September 13
Baker, Kenneth: Contemporary Jewish Museum starts with Genesis, San Francisco Chronicle, June 7
Banks, Erik: The Shape-Shifter, Men´s Vogue, October 2008
Dietsch, Deborah K.: Downtown´s real glass act, The Washingtom Times, August 10
Feaver, William: Matthew Ritchie, ARTnews, October, p. 176
Harris, Richard: Meeting of the Minds at the World Science Festival, NPR, May 30
Helfand, Glen: Faith-based initiative, San Francisco Bay Guardian, June 4
Hunter, Will: Future imperfect, bd The Architects Website, September 19
Iovine, Julie V.: XI International Architecture Biennale, The Architects Newspaper, October 1
Johnson, Andrew: Artist returns home to depict Utopia´s fall, The Independent on Sunday, May 18
Taylor, Rebecca: Connecting with Court, The Register Guard, May 7
Woltron, Ute: Sei dein eigenes Universum!, DER STANDARD, October 4, 2008
N.N.: Matthew Ritchie, Modern Painters, May, p. 28
N.N.: Building a Mystery, 7X7 San Francisco, June
N.N.: Poetische Fraktale, ArtMagazin.cc, October 13, 2008
N.N.: Contemporary Jewish Museum opens, Art in America, June 1

2007
Birnbaum, Daniel: The Art of Education, Artforum, July 1
Norris, Andrea: Kansas and Chelsea: Some Reflections on New York Exhibitions, Review, January, p. 62.
Gleadell, Colin: Leaps of faith, Art Monthly, July 1
Goldstein, Meredith: Quick Picks, The Boston Globe, March 28
Goodbody, Bridget: An Aesthetics of Physics, art on paper, No. 3, January/Februar, pp. 29f
Swenson, Kirsten: Matthew Ritchie at Andrea Rosen, Art in America, January 1
Thorson, Alice: Remembering the Future, The Kansas City Star, January 14
N.N.: Finished Art Project, The Register Guard, March 19
N.N.: Public Art, Art in America, January 1
N.N.: Contemporary Jewish Museum opens, Business Wire, October 26
N.N.: Boston University School of Visual Arts presents Third Annual Tim Hamill Visiting Artist Lecture, US Fed News Service, March 9

2006
Falconer, Morgan: Sporting Chance, Art Review, Feb./March, pp. 73–75
Cohen, David: Apocalypse Now, New York Sun, September 28
Genocchio, Benjamin: Matthew Ritchie: The Universal Adversary, The New York Times, September 22, p. E20
González, Alexandra: Weltentwurf, Architectural Digest, No. 9, September, p. 113
Keefer, Bob: Young artists mold their sense of justice, The Register-Guard, April 5
Keefer, Bob: Other courthouse artists deliver more for the money, The Register-Guard,
November 30
Keefer, Bob: Look, but don´t think, The Register-Guard, November 30
Rappolt, Mark: Hidden Fortress: Matthew Ritchie, Art Review, September, p. 34
Rosenburg, Karen: Long after the flood, New York, September 25
Schaernack, Chr.: Die Fürstin von Chelsea, Handelsblatt, March 7
Scott, Andrea: Reviews: Matthew Ritchie, Time Out New York, October 26–November 1, p. 73
Vo, Lam Thuy: Guggenheim highlights in Bonn, Deseret News, August 13
Voelz Chandler, Mary: New DAM Building installs first artwork, Rocky Mountain News, March 11
Voelz Chandler, Mary: Record gift. Collector couple donate $60 million to museum in cash, Rocky Mountain News, March 8 (ill.)
N.N.: Matthew Ritchie, School Arts, October 1

2005
Breuning, Olaf; White, Pea: Inner City, Art Review, March, pp. 60–63
Gural, Natasha: Show bridges Abstraction, Representation, AP Online, June 6
Hafner, Hans-Jürgen: Matthew Ritchie: We want to see some light, Kunstforum, No. 177, pp. 399
Janositz, Paul: Die vierte Dimension, Potsdamer Neueste Nachrichten, January 26
Janositz, Paul: Die vierte Dimension, Der Tagesspiegel, January 26
Keefer, Bob: Artist for courthouse offers crowd glimpse of his outlook. Critics call Matthew Ritchie´s work both brilliant and impenetrable, The Register Guard, July 10
Keefer, Bob: The artist of the court, The Register-Guard, September 18
Kinetz, Erika: Set Right Up and Watch the Artist!”, The New York Times, March 30, E 13
Leffingwell, Edward: The extraterritorial zone, Art in America, February 1
Schiff, Hajo: Rückkehr ins All, Kunstforum, No. 178, pp. 291
Schwendener, Martha: Remote Viewing: Invented worlds in recent painting and drawing, Artforum International, November 1
Sollins, Susan: Art:21. Another PBS masterpiece, USA Today, January 9
Sozanski, Edward J.: Ritchie makes valiant efford to contain today´s cosmological truths, The Phiadelphia Inquirer, June 4
Sozanski, Edward J.: One man takes bold stab at Creation, The Phiadelphia Inquirer, April 10
Stevens, Rachel: Group Shows: Remote Viewing, Flash Art, October, p. 68
Thorson, Alice: Painting tells sweeping narrative of time, life and Earth, The Kansas City Star,
January 30
Welch, Bob: Some quotes to ponder from 2005, The Register Guard, December 12
Woodward, Richard B.: Artists are following the buzz of bohemia back to Berlin, International Herald Tribune, March 12–13, p. 20
Wyndham, Constance: Artists in your living rooms, Art in America, September
Yablonsky, Linda: What makes a painting a painting?, ARTnews, April 1
N.N.: At K-State´s Beach Museum of Art: Screenings set for PBS series, M2 Presswire, August 18
N.N.: Matthew Ritchie and ART:21: Interview, http://www.pbs.org/art21/artists/ritchie/clip2.html
N.N.: L´age Dior, W, January 3
N.N.: Wünschen und Tasten, Der Standard, September 23
N.N.: Was anwesend und was anschaulich ist, Frankfurter Rundschau, July 28

2004
Bianchi, Paolo; Schiff, Hajo: Kunst im Überfluß – Überflüssige Kunst?, No. 173, p. 204
Blumenthal, Ralph: An Art Show From Before the Big Bang, The New York Times, January 20, E1, E5
Gries, Reinhold: Künstler liefern sich kreativen Wettbewerb, Offenbach Post, February 14th
Gupta, Anjali: Reviews/ Matthew Ritchie: Contemporary Arts Museum, tema celeste, May/June,
p. 96
Jäger, Markus: Unter Wasser nach oben blicken, Main-Spitze, January
Joseph P. Kahn: Mr. Universe, The Boston Globe, April 11, p. N1
Alix Ohlin: Inexact Science’: Matthew Ritchie’s Dream Universe, Art Papers, July/August,
pp. 28–33
Schütte, Christoph: Horrorszenen im Seerosenteich, FAZ, February 12
es ‘Ritchie-World’ in Rüsselsheim, Rüsselsheimer Echo, January 17
Lilly Wei: The Cosmos According to Matthew Ritchie, ARTnews, Summer, pp. 148–151
N.N.: Eye Candy. Three Art Shows You Don’t Want to Miss, Elle, January, p. 46.
N.N.: Mathew Ritchie, BT, April 2004, pp. 176–177
N.N.: Spring Listings/ Matthew Ritchie: Proposition Player, Seed, Spring, pp. 38–39.
N.N.: Monumente der Leidenschaft,Dakis Joannou zeigt zu den Olympischen Spielen seine exeptionelle Sammlung in Athen, Der Tagesspiegel, August 14
N.N.: Familientradition im 21. Jahrhundert, Der Standard, April 20
N.N.: Habsburg-Prinzessin brint 21. Jahrhundert nach Wien, Tourismuswirtschaft Austria & International, April 16
N.N.: Opelvillen ermöglichen eine Rückbesinnung zur Natur, Frankfurter Rundschau, December 31
N.N.: Das Leben aus zweiter Hand, Allgemeine Zeitung Mainz, February 10
N.N.: Für lebendig erkläret, plan.F, February 19
N.N.: Wie kommt die Malerei an die Wand?, Main-Spitze, January 28
N.N.: Was Malerei heute ist, Rüsselsheimer Echo, January 5

2003
Gilbert, Chris: Genre Trouble, Oxford Art Journal, January, pp. 192
Griffin, Tim: 80s Again, Artforum, April, p. 78
Pulfer, Reto / Wiesner, Christophe: Matthew Ritchie – ‘After the Father Costume’, Neue Review – Art in Berlin,
Ausgabe 2, Juli 2003, page 11
Richard, Frances: Matthew Ritchie: Andrea Rosen Gallery, Artforum, January, p. 136
Stange, Raimar: Augen wie Billardkugeln, Der Tagesspiegel, Berlin, May 10, p. 28
Wilson, Goldie: The New Abstractionists, Art & Auction, July, pp. 92–97
Yablonsky, Linda: Review of Drawing Now: Eight Propositions, ARTnews, January, p. 199
N.N.: Matthew Ritchie, Artforum, September
N.N.: Never mind the Pollocks, TAZ, March 5
N.N.: Abstrakter Bagel, TAZ, February 28

2002
Chambers, Christopher: Notes from the Dawn of Time, D’Art, Vol. 5, #3, Fall, p. 31
Ermen, Reinhard: The Mystery of Painting, Kunstforum, No. 158, pp. 348
Firstenberg, Lauri: Painting Platform in NY, Flash Art, November–December, pp. 70–75
Kunitz, Daniel: Drawings That Provoke Exasperation and Admiration, The New York Sun, November 7
Lloyd, Ann Wilson: Art is a Necessity Among Techies, Too, The New York Times, December 15, pp. 50–51
Rothkopf, Scott: Dunham, Carrol / Road Food (project curated by Carrol Dunham for Artforum), Artforum, November, pp. 132–137
Saltz, Jerry: Something Else, The Village Voice, New York, April 26
Schjeldahl, Peter The Drawing Board, The New Yorker, November 4
Seidel, Martin: futureland2001.com, Kunstforum, No. 158, pp. 309 Saltz, Jerry: Good on Paper, The Village Voice, October 30–November
Smith, Roberta: Cracking the Same Mold With Different Results, The New York Times, November 14,
p. E38
Smith, Roberta: Retreat From the wild Shores of Abstraction, The New York Times,
New York, October 18
Valdez, Sarah: Art’s New Hope, Paper, November, p. 12 (insert)
Zutter, Jörg: Gegenwartskunst down under, Neue Züricher Zeitung, June 15
N.N.: Der neu eröffnete Palais de Tokyo zeigt das schwierige Verhältnis der Franzosen zur zeitgenössischen Kunst, Welt am Sonntag, March 10
N.N.: Auf Linie gebracht, Frankfurter Allgemeine Sonntagszeitung, December 1

2001
Cruz, Gemma de: Artist: Matthew Ritchie, Art Review, London, October, pp. 64–65
Jones, Caroline / Galison, Peter: Theories and the Dead, Parkett No. 61, pp. 148 – 153
Jones, Ronald: Matthew Ritchie, Frieze, April, issue 58, pp. 101–102
Kutner, Janet: Particle Poetics, The Dallas Morning News, March 7, p. 5C
Markus, Ben: The Least You Need to Know About Radio, Parkett No. 61, pp. 162–169
Nugent, Benjamin: The Big-Picture Man, Time, October 15, 2001, p. 83
O’Connor, John: Diagramming Preference, Artist Spectrum, Volume 10, pp. 5–9
Princenthal, Nancy: The Laws of Pandemonium, Art in America, May 2001, pp. 144––9
Rabinowitz, Cay S.: Not Two, Not Three, Not Even Four Dimensions, Parkett No. 61, pp. 138–141
Schwabsky, Barry: Matthew Ritchie, Artforum, January
Steward Heon, Laura / John Ackermann: Unnatural Science, exhibition catalogue, Mass MoCA, Spring 2000–2001
N.N.: Art Program 2001, Bomb, Fall, p. 13
N.N.: Art Program 2001, Bomb, Summer, p. 13
N.N.: Ausstellungen: Blick aus dem All, Der Spiegel, September 24
N.N.: Entfachte Pracht, Neue Züricher Zeitung, June 23
N.N.: Brits eat up the Big Apple, The Times, March 27

2000
Cotter, Holland: Matthew Ritchie, The New York Times, Novemver 24, p. E 36
Ellis, Patricia: Matthew Ritchie. That Sweet Voodoo That You Do, Flash Art November /December, pp. 89–91
Glueck, Grace: Creative Souls Who Keep the Faith or Challenge Its Influence, The New York Times, May
Hunt, David: When Worlds Collide, Time Out New York, Issue 269, November 16, p. 81
Kastner, Jeffrey: Mapping a World of Information, The New York Times, October 15, p. AR 37
Kato, Emiko: Matthew Ritchie, Studio Voice, vol. 297, Tokyo, September, p. 33
Levin, Kim Masters of the Universe, Village Voice, May 22, p. 125
Mack, Gerald: Big Bang in Farbe, CASH, No. 21, May 26, p. 85
Moshkovitz, Boris: Matthew Ritchie, Flash Art May–June, p. 55
Plack, Peter: A Lifetime Passion for Collecting, Newsweek, October 16, p. 72
Saltz, Jerry: Out There. Painting the Birth of the Universe or God Knows What, Village Voice, November 28, p. 79
Sheets, Hilarie M.: Baffled, bewildered – and smitten, ARTnews, No. 8, September, pp. 130–134
Sischy, Ingrid: Gotta Paint!, Vanity Fair, February, pp. 140–147
Wilson-Goldie, Kaelen: Matthew Ritchie’s Matrix. An Artist Recreates The World in Seven
Steps, Black Book Summer, pp. 56–58

1999
Chambers, Kristen: review, Mythopioeia, February (brochure)
Gerster, Ulrich: Rückzugsmodelle, Neue Zürcher Zeitung, October 29, p. 46
Jones, Ronald: Continued Investigation of the Relevance of Abstraction, Frieze June–August, pp. 102–103
Litt, Steven: Telling the Big Story, The Plain Dealer, February 28, pp. 1H, 5H
Mader, Rachel: mondo imaginario, Springerin April, pp. 72–73
McDonough, Tom: Matthew Ritchie at Basilico Fine Arts, Art in America May, p. 159
Sandberg, Lotte: Eksplosivt ekspanderende maleri, Aftenposten, Oslo, August 26
Scott, Andrea: Conceptual Art as Neurobiological Praxis, Time Out New York, April 23
Smith, Roberta: Continued Investigation of the Relevance of Abstraction, New York Times, February 12, p. E39
Zimmer, William: 7 Artists Integrate Color and Rudeness, New York Times, January 10
Zimmermann, Mark: Colloquial Arabesque, PAJ May, Vol. XXI, No. 62, pp. 72–75
N.N.: Rückugsmodelle/”Mondo Immaginario” in der Shedhalle, Neue Züricher Zeitung, October 29

1998
Anton, Saul: In-form, Art/Text, January/February, pp. 96–97
Brown, Cecily: Painting Epiphany: Happy days are where, again?, Flash Art, May/June, pp. 76–79
Fox, Catherine: Mixing it up in style, The Atlanta Journal Constitution, August 21
Kastner, Jeffrey: The Weather of Chance; Matthew Ritchie and the Butterfly Effect, Art/Text, May–July, pp.54–59
Kandel, Susan: cream, Phaidon Press, London, pp. 348–351
Kastner, Jeffrey: The Weather of Chance: Matthew Ritchie and the Butterfly Effect, Art/Text, May – July, pp. 54 – 59
Levin, Kim: Matthew Ritchie, The Village Voice, November 24, pp. 76
Patterson, Tom: Off-beat: Exhibit Rewards Curiosity and Hard Work, Winston-Salem Journal, May 17, p. E4
Pinchbeck, Daniel: New York Artist Q & A: Matthew Ritchie, The Art Newspaper, No. 86, November, p.71
Relyea, Lane: Virtually Formal, Artforum, September, pp. 126–133
Ritchie, Matthew: Love, Sweat, and Tears, Flash Art, November/ December, pp. 78–80
Saltz, Jerry: Franz Ackerman, Time Out, January 8–15, p.50
Simpson, Bennett: The Law of Large Numbers: Chan Schatz and the Production of Production, ArtByte, October/ November, pp. 48–52
Smith, Roberta: Matthew Ritchie, The New York Times, November 13, p. E40
Bonnie Collura, The New York Times, January 30, p. E36
Yablonsky, Linda: Matthew Ritchie, The Gamblers, Time Out New York, November 26– December 3, p. 63
N.N: Parallel Worlds, Flash Art, May/June, p. 46
N.N.: Mostra questionam formas de percepcao, Folha de Sao Paulo, March 3
N.N.: Trabalhos que vao alem do estetico, Jornal da Tarde, March, p. 8
N.N.: Matthew Ritchie, L’Uomo Vogue, September, pp. 296–299
N.N.: Matthew Ritchie, The New Yorker, November 23, p. 18

1997
Adams, Brooks: Turtle Derby, Art in America, June, pp. 34–40.
Atamian, Christopher: Project Painting, Review, October 1, pp. 19–20
Bankowsky, Jack: Whitney Watch, Artforum, March, pp. 31–34
Bayliss, Sarah: Blakes Progress, On Paper,Vol.1, No. 5, pp. 24–27
The Informers, World Art, No. 13, pp. 66–68
Berman, Jenifer: Matthew Ritchie, Bomb Magazine, Spring, pp. 60–65
Cullum, Jerry: Constitution, Matthew Ritchie: Omniverse, The Atlanta Journal, November 28, p.Q7
Danto, Arthur: The 1997 Whitney Biennial, The Nation, pp. 30–34
Dorsey, John: Biennial Serves its Purpose, Baltimore Sun, April 6
Drolet, Owen: Matthew Ritchie at Basilico Fine Art, Flash Art, January/ February, pp. 98–99
Greene, David A.: Project Painting, Frieze, December, pp. 90–91
Halle, Howard; Saltz,Jerry; Yablonsky, Linda: Showtime at the Whitney, Time Out, NY, April 3–10, pp. 39–40
Heartney, Eleanor: review, Art in America, April, p. 114
Jana, Reena: New Work: Drawings Today, San Francisco Museum of Art, Flash Art, October, p. 75.
Joo, Michael: The Wheel of Life, Performing Arts Journal 57, September, pp. 77–79
Kaufman, Jason Edward: The 69th Whintey Biennial, New York, The Arts Newspaper, March
Kimmelman, Michael: Narratives Snagged On the Cutting Edge, The New York Times, March 21, (Weekend Section) 1997
Bayliss, Sarah: Blake´s progress, On Paper, No. 5, May–June, pp. 24–27
Knight, Christopher: Show Time at Biennial: Send in the Big Crowds, Los Angeles Times, March 21
Knode, Marilu: A Scattering Matrix: Richard Heller Gallery, Santa Monica Museum of Modern Art, San Francisco, zing magazine, October, p. 75
MacRitchie, Lynn: Time and Space at the Whitney Rave, London Financial Times, March 30
Mahoney, Robert: review, Time Out New York, January 16–23, p. 37
Marguerin, Mathieu: Matthew Ritchie: The Hard Way, Blocnotes, January/ Feb, pp.120–121
McKenna, Kristine: It Happens Every Two Years, Los Angeles Times, March 9, p. 3
Murdock, Robert M: Project Painting, Review, October 1, pp. 20–21
Nahas, Dominique: In Focus: the 1997 Whitney Biennial, Review, April 1, p. 6
Perrott, Jeff: The body of Painting, Arts Media, March, p. 31
Schaffner, Ingrid: review, Artforum, March, p. 93
Schjedahl, Peter: Museumification 1997, Village Voice, April 1, pp. 80–81
Searle, Adrian: Nowhere to Run, Frieze, May, issue 34, pp. 42–47
Sichel Berta: Whitney realiza ultima bienal do seculo, Oestado de S.Paulo, 29th March, p. D12
Silver, Joanne: review, Boston Sunday Herald, February 2, p. 44
Smith, Roberta: In-Form, The New York Times, July 4, p. C24.
Solomon, Deborah: The Gallery: The Whitney Biennial, The Wall Street Journal, March 25, p. A16
Vogel, Carol: Inside Art: Buying Biennial Works, The New York Times, June 6, p.C21
Zeaman, John: The World according to Whitney, The Record, March 28
N.N.: Project Painting, The New York Times, September 26, p. E38
N.N.: Painting Rules, Village Voice, September 30, p. 97

1996
Bell, J. Bowyer: Architecture/Application/Complication, Review, May, p. 27
Blom, Ina: Between The Acts, Gallery c/o Oslo, Material No. 29, Summer
Blom, Ina: Når stort blir mye store, Aftenposten, December 30, p. 13
Cotter, Holland: Matthew Ritchie ’The Hard Way’, The New York Times, November 15, p. C21
Dikeou, Devon: Destruction has its own Beauty, Euilon, February 25
Galloway, Alex: Review of the Hard Way, gallowyhalcyon.com, October 29
Levin, Kim: Voice Listings – Recommended, Village Voice, November 12
Melrod, George: review, Art & Antiques, November, p. 28
Moody, Tom: AbFab, Art Papers November/ December, p. 56
Perdich, Maria: Devon Dikeou: The Little Ghost of the Act, Down Town, January/ February
Petrhnou, Cristina: Between the Acts, The Art Magazine, March/ April, No. 22, p. 66
Princenthal, Nancy: Artist´s Book Beat, On Paper, Vol. 1, No. 1, Sept/ October
Rubbini, Alice: Juliet Art Magazine No. 80, December ’96/ January ’97, p. 58
Saltz, Jerry: Time Out New York, November 7–14, p. 40
Servetar, Stuart: Masters & Notable Seconds, Artnet, October
Tsingou, Emily / Dikeou, Devon: Do the right thing, The Art Magazine, Issue 24, p. 78
N.N.: Adicere Animos, Mostra Multimediale d’Arte Contomporanea e d’Avaguardia, Commune di Cesena, p. 147
N.N.: Konst Världen: Stockholm, NO.2 May/ June, p. 70

1995
Brockmann, Adolf: Videos vom stillen Örtchen, Hamburger Abendblatt, September 25, p. 31
Danek, Sabine: Gegen die Geschlechtertrennung, Szene Hamburg, November, pp.108 – 109
Drolet, Owen: Matthew Ritchie at Basilico Fine Arts, Flash Art, Summer p. 129
Kalina, Richard: Matthew Ritchie at Baslilcio Fine Arts, Art in America, July, p. 85
Kock, Mechthild: Verrückt. Aggressiv bis leichtfüssig, Stader Tageblatt, September 25
Levin, Kim: Voice Listings: Möbius Strip, The Village Voice, January 24, p. 8
Voice Listings: Recommended: Matthew Ritchie, The Village Voice, March 7, p. 8
Schiff, Hajo: New York im Schloss, taz Hamburg, September 27, p. 23
Servetar, Stuart: Matthew Ritchie at Basilico Fine Arts, NY PRESS, March 1, p. 49
Smith, Roberta: Matthew Ritchie at Basilico Fine Arts, The New York Times, March 10, p. C20

1994
Drolet, Owen: Group Show at Mitchell Algus, New York, Flash Art, October, pp.53
Han, M.T.: Matthew Ritchie at Leonora Vega, Flash Art, Summer, p. 139
Lezama, Manuel A.: Matthew Ritchie, Nestor Otero, The San Juan Star, April 27
Routte-Gomez, Enid: Matthew Ritchie Continues Quest for Perfection, The San Juan Star, April 17
Smith, Roberta: For the New Galleries of the 90s Small (and Cheap) is Beautiful, The New York Times, April 22, p. C22
Stapaen, Nancy: The Circumscribed Imagination on the Ruins of Tradition, The Boston Globe, October 6

Bibliography: Monographs

Matthew Ritchie: More Than the Eye. Matthew Ritchie and Klaus Kertess, authors. Published by Rizzoli, New York, 2008
The Morning Line: Matthew Ritchie with Aranda/Lasch and Arup AGU. Edited by Eva Eversberger and Daniela Zyman. Published by Thyssen-Bornemisza Art Contemporary, Vienna, 2008
Matthew Ritchie, Incomplete Projects 01–07, Andrea Rosen Gallery, c/o – Atle Gerhardsen, White Cube, 2006
Matthew Ritchie, Incomplete Projects 07, Portikus im Leinwandhaus, Frankfurt/Main, 2006
Matthew Ritchie: Incomplete Projects 06: Dead Man’s Hand, Two Palms Press, 2004
Matthew Ritchie, Proposition Player, Published by the Contemporary Arts Museum, Houston, and Hatje Cantz, 2003
Matthew Ritchie: Incomplete Projects 05: Games of Chance and Skill, Massachusetts Institute of Technology, Cambridge, 2002
Matthew Ritchie: Incomplete Projects 04: The Bad Need, Edition for Parkett 61, 2001
Matthew Ritchie: Incomplete Projects 03: Sea State One, Edition for Artists Space, New York, 2001
Matthew Ritchie: Incomplete Projects 02: The Slow Tide, Dallas Museum of Art: Concentrations 38, Dallas, 2001
Matthew Ritchie: Incomplete Projects 01: The Fast Set, Museum of Contemporary Art, North Miami, 2000
Matthew Ritchie. The Big Story, Cleveland Center for Contemporary Art, Ohio, 1999
Matthew Ritchie. Projects, Basilico Fine Arts, NY, 1998
Matthew Ritchie. The Hard Way, Galerie Météo, Basilico Fine Arts, c/o – Atle Gerhardsen, 1996

Bibliography: Catalogues/Books

2012
Noplaceness: Art In A Post-Urban Landscape, published by Possible Future, Inc., p. 214

2009
Automatic Cities: The Architectural Imaginary in Contemporary Art., edited by Clark, Robin, San Diego, Museum of Contemporary Art
The Kaleidoscope Eye. edited by Natsumi, Araki, et al., Tokyo: Mori Art Museum

2008
Chelsea visits Havena. New York: National Museum of Fine Arts
In the Beginning: Artists Respond to Genesis. San Francisco: Contemporary Jewish Museum
Einstein for the 21st Century, Galison, Peter L., Gerald Holton, and Silvan S. Schweber, eds, Princeton UP, Princeton
Foundations of Art and Design, Lois Fichner-Rathus, author, published by Thomson/Wadsworth, p. 191
Living with Art, Published by McGraw Hill, New York, pp. 185–186.
Experiment Marathon Reykjavik, organized by Hans Ulrich Obrist and Ólafur Elíasson, Reykjavik Art Museum – Kjarvalssta∂ir, Reykjavik
Thyssen-Bornemisza Art Contemporary – Sammlung als Aleph, Kunsthaus Graz, Graz

2007
Panic Room: Selections from the Dakis Joannou Works on Paper Collection. Deste Foundation, Athens
Guggenheim Collection: 1940s to Now. National Gallery of Victoria, p.76

2006
Radar: Selections from the Collection of Vicki and Kent Logan. Published by the Denver Art Museum, pp. 146–149.
Post Modern Portraiture From The Logan Collection, The Logan Collection Vail, p. 192
The Guggenheim Collection, New York, Guggenheim Museum Publications, p. 325

2005
The Third Eye: Fantasies, Dreams and Visions, Richard L. Feigen & Co., New York (cat.)
Art 21: Art in the Twenty-First Century, Harry N. Abrams, Inc., New York, pp. 190–201 (Accompanied by a DVD of Art 21: Season 3, produced by PBS Home Video)
Remote Viewing, published by Harry N. Abrams, New York, pp. 56–63
Art Now Vol. 2, edited by Uta Grosenick, published by Taschen, Cologne, pp. 444–447
In Private Hands: 200 Years of American Painting, Pennsylvania Academy of the Fine Arts, Philadelphia
Swarm, The Fabric Workshop and Museum, Philadelphia (cat.)
Rückkehr ins All, curated by Christoph Heinrich and Markus Heinzelmann, Hamburger Kunsthalle, Hamburg (cat.)
Stephane Correard, Matthew Ritchie, in: Uta Grosenick (Ed.), Art Now – Vol. 2, Taschen: Köln, pp. 444–447
Elisabeth Sussman, Remote Viewing (invented worlds in recent painting and drawing), Whitney Museum of American Art, New York
Vitamin D: New Perspektives in Drawing, Published by Phaidon Press, New York & London, pp. 270–273
Encounters in the 21st Century: Polyphony-Emerging Resonances. Copypublished by 21st Century Museum of Co

2004
Was Malerei heute ist, Opelvillen Rüsselsheim, pp. 20–23
Kertess, Klaus. Fabulism, Joslyn Art Museum, Omaha, Nebraska

2003
Painting Pictures. Painting and Media in the Digital Age, Kunstmuseum Wolfsburg, p. 223

2002
Drawing now: eight propositions, The Museum of Modern Art, New York, pp. 86–87
Vitamin P, Published by Phaidon Press, New York & London
Exploring the Invisible, Art, Science and the Spiritual, published by Princeton University Press, Princeton & Oxford
Reality Check: Painting in the Exploded Field, Published by the California College of Arts and Crafts, San Francisco

2001
Parkett 61, Published by Parkett, Zürich, New York & Frankfurt
The Mystery of Painting, Sammlung Goetz, München, pp.43–56
Futureland, Städtisches Museum Abteiberg Mönchengladbach, pp. 92–97
American Visionaries: Selections from the Whitney Museum of American Art. Published by Henry N. Abrams, Inc., New York
010101: Art in Technological Times, Published by the San Francisco Museum of Modern Art, San Francisco

2000
The Fast Set. Incomplete Projects 01, Museum of Contemporary Art, N. Miami
Matthew Ritchie. Incomplete Projects 02, Dallas Museum of Contemporary Art
The Mystery of Painting, Published by Ingvild Goetz, Rainald Schumacher, Munich
Vision Machine, Musée des Beaux-Arts de Nantes, France, p. 109

1999
Matthew Ritchie. The Big Story, Cleveland Center for Contemporary Art, Ohio

1998
Cream- contemporary art in culture, Phaidon Press Limited, London, pp. 348–51

1997
Art on Paper, Weatherspoon Art Gallery, University of North Carolina at Greensboro, NC
1997 Whitney Biennial, Whitney Museum of American Art, NY
Project Painting, Basilico Fine Arts And Lehmann Maupin Gallery, NY, p. 29
New Art, Harry N. Abrams, Inc, NY, p. 108

1996
A Scattering Matrix, Richard Heller Gallery, CA
Adicere Animos, Mostra Mulimediale d´Arte Contemporanea e d´Avaguardia, Comune di Cesena, p. 147
Games of Chance and Skill, Massachusetts Institute of Technology, Cambridge

1995
Verrückt, Kulturstiftung Schloß Agathenburg, pp. 41–44
Mobius Strip, Basilico fine Arts, NY
A Vital Matrix, Domestic Setting, CA, p. 22
Between the Acts, Icebox, Athens

1994
The Anatomy of Redemption, Segno, pp. 52–55


Critical writings

Into the Bleed: Einstein and 21st Century Art, Galison, Peter L., Gerald Holton, and Silvan S. Schweber. Princeton: Princeton UP, 2008
User – An Operating Criteria, Hirsch Foundation, 2000

The Word Made Flesh, Flash Art International, May–June 1994, pp. 71–72
Michale Rees, Flash Art International, Mar.– Apr. 1994, p. 108
Tony Cragg, Flash Art International, May–June 1994, p.113
Michale Joo, Imagine, Flash Art International, November–December 1994, pp. 69–70
Dietrich Ochs, Flash Art International, November–December 1994
The Third Sex: The Theme of Androgyny in recent work by Matthew Barney, Jeanne Dunning, Sarah Lucas, Lisa Ruyer, and Kiki Smith, Flash Art International, November–December 1995, pp. 51–52
Möbius Strip, Basilico Fine Arts, 1995
Gabriel Orozco, Flash Art International, January–February 1995. p. 95
Rosemarie Trockel, Flash Art International, January–February 1995, p. 95
Rules Of Engagement, Pier Arts Centre, Orkney, 1995
Xavier Veilhan, zingmagazine, Autumn, 1995
Video Spaces: Eight Installations, zingmagazine, Autumn, 1995
Matthew Barney, Flash Art International, October, 1995, p.105
Itai Doron, Flash Art International, October, 1995, p. 108
Forrest Bess: The Edge Of Vision, Fat Magazine, 1995
Tony Oursler: Technology as an instinct amplifier, Flash Art, No. 186, Jan–Feb 1996, pp. 76–79
Michael Joaquin Grey: five of a kind, Art and Text, Aug–Oct 1997, pp. 52–57
Love, sweat, and tears: Ann Hamilton, Jason Rhoades, Brian Tolle, Andrea Zittel, Flash Art International, NovemberDec 1998, pp. 78–81
Franz Ackermann, Manfred Pernice, Gregor Schneider: the new city, Art and Text, May–July 1999, pp. 74–79
Painting platform in NY: Matthew Ritchie, Julie Mahretu, Barnaby Furas, Flash Art International 2002, December, No. 227, pp. 70–75
William Blake: On the Infinite Plane, ImageTexT: Interdisciplinary Comics Studies, Vol. 3, Issue 2, 2006


PUBLICATIONS by Matthew Ritchie
Ritchie, Matthew: A perilous intellectual high wire act, The Huffington Post, March 9